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Mr. Bungle live in Koln, Germany (August 18, 2000)

Publicado em 9 de abril de 202010 de abril de 2020 por Delìrivm Còrdia

Songs (albums):

The Air-Conditioned Nightmare (California)
Ars Moriendi (California)
Phlegmatics/Carry Stress In The Jaw (Disco Volante)

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Publicado em Avant-garde, Big Band, Delìrivm Mvsicalis, Experimentalism, Live, Metal, Mike Patton, Trevor Dvnn, Trey SprvanceCom a tag Air-Conditioned Nightmare, Ars Moriendi, Carry Stress In The Jaw, Mr. Bungle, Mr. Bungle - California (1999), Mr. Bungle - Disco Volante (1995), Phlegmatics

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Post anterior Secret Chiefs 3 @ Sesc Belenzinho (Sao Paulo/Brazil, April 19 2012)

Próximo post M. Shadows: How I Went From Hating to Loving Mr. Bungle’s ‘California’

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Delìrivm Còrdia – FANTÔMAS (2004)

Delìrivm Còrdia (whose concept and imagery is deployed here as a tribute) is an album by avant-garde metal group Fantômas. It consists in an operatic nightmare, one continuous 74-minute track which plays like horror movie soundtrack or eerie progressive soundscape. Delìrivm Còrdia means “irregular heartbeat” in Latin. Mike Patton, the group’s singer, thus describes it:

“It’s my version of ambient music. It’s dealing with larger blocks of sound and putting them together. Mood music, I like to call it. Obviously we still get around to making a lot of jarring sounds — there’s a lot of nasty stuff on there but it’s not like the band is attacking you with a chainsaw. It’s more seductive.”

The theme of the record is Surgical Sound Specimens from the Museum of Skin or surgery without anaesthesia. All the images used to comprise the cover are photographs taken from Max Aguilera-Hellweg‘s book The Sacred Heart: An Atlas of the Body Seen Through Invasive Surgery, published in 1997.

Musica est exertitium metaphysices occultum, nescientis se philosophari animi. [Music is a hidden exercise in metaphysics of a soul that philosophizes unknowingly]

SCHOPENHAUER

"Why go to Plato, when a saxophone can give us an equally good glimpse of another world?" ~ CIORAN

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LE CONCOURS DES CASTRATS: Arias with Mineccia, Mariño & Sabadus | Orchestre de l'Opéra Royal
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“L’homme joyeux se réjouit certes de ceci ou de cela en particulier ; mais à l’interroger davantage on découvre vite qu’il se réjouit aussi de tel autre ceci et de tel autre cela, et encore de telle et telle autre chose, et ainsi de suite à l’infini. Sa réjouissance n’est pas particulière mais générale : il est « joyeux de toutes les joies », omnibus laetitiis laetum, comme le dit un amoureux comblé dans une pièce du dramaturge latin Trabéa, partiellement citée par Cicéron.”

Clément Rosset

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When I went towards my object and listened to the music, my misery became glory, and my poverty, riches. ~ AL-SHUSHTARI

"I am an idolater (kafir) of love / The mark of Muslim I do not need / Every fiber of mine is tuned like a string / The kafir's thread I do not need."
AMIR KHUSRAU (1253-1325)

“Some were born to sing, some to dance, and some were born simply to be others. I was born to be silent. My only vocation is silence. It was my father who explained it to me: I have an inclination not to speak, but a talent for refining silences. I write silences well, in the plural. Yes, because there is not one single silence. And every silence is music in a state of pregnancy.” ~ MIA COUTO

« La vie passe. Le corps et l’âme s’écoulent comme un flot. Les ans s’inscrivent sur la chair de l’arbre qui vieillit. Le monde entier s’use et se renouvelle. Toi seule ne passes pas, immortelle Musique. Tu es la mer intérieure. Tu es l’âme profonde. Tu es en dehors du monde. Tu es un monde, à toi seule. »

Romain Rolland

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