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Urlo negro – Mike Patton’s Mondo Cane

Publicado em 26 de maio de 2020 por Delìrivm Còrdia

 

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Publicado em Crossover, Delìrivm Mvsicalis, Italia, Live, Lyrics, Mike Patton, Orchestra, Rock & RollCom a tag Mondo Cane, The Blackmen, Urlo negro

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Vnde Musica?

Delìrivm Còrdia – FANTÔMAS (2004)

Delìrivm Còrdia (whose concept and imagery is deployed here as a tribute) is an album by avant-garde metal group Fantômas. It consists in an operatic nightmare, one continuous 74-minute track which plays like horror movie soundtrack or eerie progressive soundscape. Delìrivm Còrdia means “irregular heartbeat” in Latin. Mike Patton, the group’s singer, thus describes it:

“It’s my version of ambient music. It’s dealing with larger blocks of sound and putting them together. Mood music, I like to call it. Obviously we still get around to making a lot of jarring sounds — there’s a lot of nasty stuff on there but it’s not like the band is attacking you with a chainsaw. It’s more seductive.”

The theme of the record is Surgical Sound Specimens from the Museum of Skin or surgery without anaesthesia.  All the images used to comprise the cover are photographs taken from Max Aguilera-Hellweg‘s book The Sacred Heart: An Atlas of the Body Seen Through Invasive Surgery, published in 1997.

Musica est exertitium metaphysices occultum, nescientis se philosophari animi. [Music is a hidden exercise in metaphysics of a soul that philosophizes unknowingly]

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When I went towards my object and listened to the music, my misery became glory, and my poverty, riches. ~ AL-SHUSHTARI

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“Some were born to sing, some to dance, and some were born simply to be others. I was born to be silent. My only vocation is silence. It was my father who explained it to me: I have an inclination not to speak, but a talent for refining silences. I write silences well, in the plural. Yes, because there is not one single silence. And every silence is music in a state of pregnancy.” ~ MIA COUTO

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