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Chinggis khaanii Magtaal – BATZORIG VAANCHIG

Publicado em 26 de julho de 20204 de junho de 2021 por Delìrivm Còrdia

Ode to Chinggis Khaan by Batzorig Vaanchig on top of a mountain in Bayanhongor, Mongolia

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Publicado em Chants, Chordae, Folk, Mongolia, Mvsic & Spiritvality, Mvsica contemplativa, World InstrvmentsCom a tag Batzorig Vaanchig, Chinggis khaanii Magtaal, Genghis Khan, Tuvan throat singing

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Post anterior Tuvan throat chant – The Hu
Próximo post I feel for you – Chaka Khan

Delìrivm Còrdia – FANTÔMAS (2004)

Delìrivm Còrdia (whose concept and imagery is deployed here as a tribute) is an album by avant-garde metal group Fantômas. It consists in an operatic nightmare, one continuous 74-minute track which plays like horror movie soundtrack or eerie progressive soundscape. Delìrivm Còrdia means “irregular heartbeat” in Latin. Mike Patton, the group’s singer, thus describes it:

“It’s my version of ambient music. It’s dealing with larger blocks of sound and putting them together. Mood music, I like to call it. Obviously we still get around to making a lot of jarring sounds — there’s a lot of nasty stuff on there but it’s not like the band is attacking you with a chainsaw. It’s more seductive.”

The theme of the record is Surgical Sound Specimens from the Museum of Skin or surgery without anaesthesia.  All the images used to comprise the cover are photographs taken from Max Aguilera-Hellweg‘s book The Sacred Heart: An Atlas of the Body Seen Through Invasive Surgery, published in 1997.

Vnde Musica?

Musica est exertitium metaphysices occultum, nescientis se philosophari animi. [Music is a hidden exercise in metaphysics of a soul that philosophizes unknowingly]

Arthur SCHOPENHAUER

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Clément ROSSET

"Now, when you have got absorbed in sound, where were you? This would be called a state of consciousness where we have a primitive form of samadhi. That is to say, we are happily absorbed in what we are doing and we have forgotten about ourselves. You can’t very well do that and worry or think anything serious. [...] This is the point why, from ancient times, people discovered humming and singing, and everybody used to sing while they worked. But you will notice that today very few people sing at all. You have to make a thing of it. People are afraid of their voices—their melodic voice as distinct from their spoken voice. I know an enormous number of people who never sing at all. Why is it that when the scriptures, the Upanishads, the Sūtras are read, they are invariably chanted? Because an extra dimension is added to the voice as soon as you bring a note into it. That’s the divine element, you see? The note-sound, the seen-sound—symbolically speaking." ~ Alan WATTS

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