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Un coup de dés jamais n'abolira la Musique.

The Middle Pillar – JOHN ZORN

John Zorn, The Gnostic Preludes (Tzadik, 2012)

Bill Frisell (guitar)
Carol Emanuel (harp)
Kenny Wollesen (vibes)

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Publicado em 17 de abril de 202117 de abril de 2021 por Delìrivm CòrdiaPublicado em 2010-2020, Chordae, Instrvmental, Mvsica contemplativa, Vplifting, VSACom a tag John Zorn, The Gnostic Preludes, The Middle Pillar.

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Un coup de dés jamais n’abolira la Musique

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“L’homme joyeux se réjouit certes de ceci ou de cela en particulier ; mais à l’interroger davantage on découvre vite qu’il se réjouit aussi de tel autre ceci et de tel autre cela, et encore de telle et telle autre chose, et ainsi de suite à l’infini. Sa réjouissance n’est pas particulière mais générale : il est « joyeux de toutes les joies », omnibus laetitiis laetum, comme le dit un amoureux comblé dans une pièce du dramaturge latin Trabéa, partiellement citée par Cicéron.”

Cl. ROSSET, La Force Majeure (1983)

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“Without music, life would be a mistake.”

NIETZSCHE, Twilight of the Idols (1889)

“Music is the refuge of souls ulcerated by happiness.”

CIORAN, All Gall Is Divided (1952)

“No one can make clear to another who has never had a certain feeling, in what the quality or worth of it consists. One must have musical ears to know the value of a symphony; one must have been in love one’s self to understand a lover’s state of mind. Lacking the heart or ear, we cannot interpret the musician or the lover justly, and are even likely to consider him weak-minded or absurd. The mystic finds that most of us accord to his experiences an equally incompetent treatment.”

William JAMES, The Varieties of Religious Experience (1902)

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“Uns nasceram para cantar, outros para dançar, outros nasceram simplesmente para serem outros. Eu nasci para estar calado. Minha única vocação é o silêncio. Foi meu pai que me explicou: tenho inclinação para não falar, um talento para apurar silêncios. Escrevo bem, silêncios, no plural. Sim, porque não há um único silêncio. E todo o silêncio é música em estado de gravidez.” – Mia COUTO

Delìrivm Còrdia – FANTÔMAS (2004)

Delìrivm Còrdia (Latin for irregular heartbeat) is an operatic nightmare, one continuous 74-minute track which plays like horror movie soundtrack or eerie progressive soundscape.

“It’s my version of ambient music. It’s dealing with larger blocks of sound and putting them together. Mood music, I like to call it. Obviously we still get around to making a lot of jarring sounds — there’s a lot of nasty stuff on there but it’s not like the band is attacking you with a chainsaw. It’s more seductive.” (Mike Patton)

The theme of the record is Surgical Sound Specimens from the Museum of Skin or surgery without anaesthesia. All the images used to comprise the cover are photographs taken from Max Aguilera-Hellweg‘s book The Sacred Heart: An Atlas of the Body Seen Through Invasive Surgery, published in 1997.

« LA VIE PASSE. Le corps et l’âme s’écoulent comme un flot. Les ans s’inscrivent sur la chair de l’arbre qui vieillit. Le monde entier s’use et se renouvelle. Toi seule ne passes pas, immortelle Musique. Tu es la mer intérieure. Tu es l’âme profonde. Tu es en dehors du monde. Tu es un monde, à toi seule. »

Romain ROLLAND

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