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Tag: Come to Daddy

Come to Daddy – Aphex Twin

https://www.youtube.com/watch?v=TZ827lkktYs

Publicado em 16 de abril de 2020 por Delìrivm CòrdiaPublicado em 2000-2009, Breakcore, Britain, Delìrivm Mvsicalis, Electronica, IDM, IndvstrialCom a tag Aphex Twin, Come to Daddy. Deixe um comentário

Come to Daddy/Malpractice – Dillinger Escape Plan & Mike Patton

https://www.youtube.com/watch?v=rETCdC0mj4g

Publicado em 16 de abril de 202024 de maio de 2020 por Delìrivm CòrdiaPublicado em 2000-2009, Colab, Covers, Crossover, Epitaph Records, Live, Mathcore, Mike Patton Edvkator, VersionsCom a tag Aphex Twin, Come to Daddy, Faith No More, Malpractice. Deixe um comentário

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“Without music, life would be a mistake.”

NIETZSCHE, Twilight of the Idols (1889)

“Music is the refuge of souls ulcerated by happiness.”

CIORAN, All Gall Is Divided (1952)

“No one can make clear to another who has never had a certain feeling, in what the quality or worth of it consists. One must have musical ears to know the value of a symphony; one must have been in love one’s self to understand a lover’s state of mind. Lacking the heart or ear, we cannot interpret the musician or the lover justly, and are even likely to consider him weak-minded or absurd. The mystic finds that most of us accord to his experiences an equally incompetent treatment.”

William JAMES, The Varieties of Religious Experience (1902)

“Uns nasceram para cantar, outros para dançar, outros nasceram simplesmente para serem outros. Eu nasci para estar calado. Minha única vocação é o silêncio. Foi meu pai que me explicou: tenho inclinação para não falar, um talento para apurar silêncios. Escrevo bem, silêncios, no plural. Sim, porque não há um único silêncio. E todo o silêncio é música em estado de gravidez.” – Mia COUTO

Delìrivm Còrdia – FANTÔMAS (2004)

Delìrivm Còrdia (Latin for irregular heartbeat) is an operatic nightmare, one continuous 74-minute track which plays like horror movie soundtrack or eerie progressive soundscape.

“It’s my version of ambient music. It’s dealing with larger blocks of sound and putting them together. Mood music, I like to call it. Obviously we still get around to making a lot of jarring sounds — there’s a lot of nasty stuff on there but it’s not like the band is attacking you with a chainsaw. It’s more seductive.” (Mike Patton)

The theme of the record is Surgical Sound Specimens from the Museum of Skin or surgery without anaesthesia. All the images used to comprise the cover are photographs taken from Max Aguilera-Hellweg‘s book The Sacred Heart: An Atlas of the Body Seen Through Invasive Surgery, published in 1997.

« LA VIE PASSE. Le corps et l’âme s’écoulent comme un flot. Les ans s’inscrivent sur la chair de l’arbre qui vieillit. Le monde entier s’use et se renouvelle. Toi seule ne passes pas, immortelle Musique. Tu es la mer intérieure. Tu es l’âme profonde. Tu es en dehors du monde. Tu es un monde, à toi seule. »

Romain ROLLAND

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