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Karlheinz Stockhausen’s Gesang der Jünglinge: Analysis

Publicado em 11 de agosto de 202111 de agosto de 2021 por Delìrivm Còrdia

Composer Samuel Andreyev analyzes Karlheinz Stockhausen’s seminal 1955-56 electronic piece, Gesang der Jünglinge (Song of the Youths).

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Publicado em Avant-garde, Electronica, Experimentalism, Mvsic Stories, Mvsica ErvditaCom a tag Gesang der Jünglinge, Samuel Andreyev, Stockhausen

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Delìrivm Còrdia – FANTÔMAS (2004)

Delìrivm Còrdia (whose concept and imagery is deployed here as a tribute) is an album by avant-garde metal group Fantômas. It consists in an operatic nightmare, one continuous 74-minute track which plays like horror movie soundtrack or eerie progressive soundscape. Delìrivm Còrdia means “irregular heartbeat” in Latin. Mike Patton, the group’s singer, thus describes it:

“It’s my version of ambient music. It’s dealing with larger blocks of sound and putting them together. Mood music, I like to call it. Obviously we still get around to making a lot of jarring sounds — there’s a lot of nasty stuff on there but it’s not like the band is attacking you with a chainsaw. It’s more seductive.”

The theme of the record is Surgical Sound Specimens from the Museum of Skin or surgery without anaesthesia. All the images used to comprise the cover are photographs taken from Max Aguilera-Hellweg‘s book The Sacred Heart: An Atlas of the Body Seen Through Invasive Surgery, published in 1997.

Musica est exertitium metaphysices occultum, nescientis se philosophari animi. [Music is a hidden exercise in metaphysics of a soul that philosophizes unknowingly]

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